Amateur scholar Raymond Borst ā33 helped shape the understanding of Concordās famous son. āSeeing a job to do,ā he amassed one of the worldās most extensive collections of Thoreauās work, now housed at Rochester.
When Henry David Thoreau was born, 200 years ago this July 12, he arrived in the wake of a calamity.
In 1816, known around the world as the āyear with no summer,ā ash, dust, and sulfur dioxide choked the atmosphere, spewed there by the 1815 eruption of Indonesiaās volcanic Mount Tambora.
Crops failed in New England as frost conditions persisted through that summer. Farm families, including the Thoreaus soon after Henryās birth, were driven from their land.

Thoreauās father, John, tried to make a living as a storekeeper a few miles away. Ultimately, the family found its way back to Concord, Massachusetts, with a pencil-making business that transformed American pencil manufacturing. They never returned to the land as farmers.
But there is no American writer more closely identified with the natural world than Thoreau. Although only two of his booksāA Week on the Concord and Merrimack RiversĀ (1849) andĀ Walden: or, Life in the WoodsĀ (1854)āwere published in his lifetime, his work grew steadily in popularity after his death from tuberculosis in 1862.
His words inĀ WaldenĀ are familiar even to people who have never opened its cover:
āSimplicity, simplicity, simplicity!ā
āThe mass of men lead lives of quiet desperation.ā
āI went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.ā
Among the many who have thrilled to his words was the late Raymond Borst ā33.
He came by his enthusiasm incidentally. On a business trip to Chicago in the 1940s, he picked up a copy ofĀ WaldenĀ at a hotel bookshop. His wife, Anne, wanted it for her book club. Traveling home by train to Auburn, New York, Borst began to read Thoreauās account of living a simple life near Walden Pond.
That train trip was the start of a lifelong project. Beginning modestly, the Borsts took to rare-book hunting as a pleasant way to make day trips. They contacted book dealers to say they were interested in knowing when the dealers received an unusual edition. And as time passed, Borst amassed one of the worldās most extensive Thoreau collections, which grew so large that the couple added a wing to their house to contain it.
In 1996, five years before his death at age 91, Borst donated his collection of roughly 800 items to the University, prompted in part by his long friendship with the then head of the libraryās rare books department, Peter Dzwonkoski. There is a strong connection between collectors and curators, says Jessica Lacher-Feldman, the Joseph N. Lambert and Harold B. Schleifer Director of Rare Books, Special Collections and Preservation. āOur work in special collections is as much about relationships as it is with preserving and making accessible rare and unique materials.ā
Featuring first editions of all of Thoreauās published books, plus a wide range of rare 19th-century magazines and pamphlets containing articles unavailable in any other form, the Raymond R. Borst Collection of Henry David Thoreau became the Universityās best printed collection in American literature. It complements the librariesā other 19th-century American holdings, such as collections for Frederick Douglass, abolitionists Isaac and Amy Post, and Secretary of State William Henry Seward.
In a fundamental way, Borstāsunny, friendly, and devoted to his familyāand the famously odd, seemingly solitary Thoreau make an unlikely pair. But they shared a love of nature and a deep- rooted interest in the agricultural world. After Borst graduated from Rochester, he went to work for the Civilian Conservation Corps. But before long, his father asked him to return with his brother to their hometown of Auburn to take over the familyās farm-equipment business. There, Borst bought a house built in 1813 with no plumbing and little electrical wiringāa place where the Thoreau ofĀ WaldenĀ might have felt at home. He did some farming on its 160 acres and interacted daily with farmers at his business. In Thoreau, he had found a writer who had occupied a similar world.

For scholars, there have been many Thoreaus: the political Thoreau of āCivil Disobedience,ā important for issues of social justice and individual rights of protest; the ecological Thoreau, one of the first great advocates of an environmental understanding of nature, the world, and the human place in it; the scientific Thoreau, whose work contributed to the formulation of scientific methodologies and intersecting natural systems of the type described by 19th-century scientists Louis Agassiz and Alexander von Humboldt.
And increasingly, an agrarian Thoreau has emergedāone who was not just invested in wilderness, but also appreciated the human manipulation of nature and its use for human productivity. He was acutely knowledgeable about the practices of local farmers in eastern Massachusetts.
Laura Dassow Walls, the William P. and Hazel B. White Professor of English at the University of Notre Dame, is the author ofĀ Henry David Thoreau: A LifeĀ (University of Chicago Press, 2017). Released in conjunction with the bicentennial of Thoreauās birth, the book is the first full-scale biography to be published in almost 30 years. Wallsās research makes clear that Thoreau was in constant conversation with farmers. He wasnāt a member of the Concord Farmersā Club, but its membership lists correspond to his circle of friends, and his name comes up regularly in the records of the clubās meetings. āTheyāre talking to him, and heās talking to them,ā she says.
āIn a lot of ways, the agrarian aspect of his work and thinking is at the core of all those other understandings of Thoreauāsocial justice, environmental justice, scientific, ecological,ā says Walls. He wants to know why farms are failing. Friends are losing their land, and he approaches the question as a matter of social justice. He investigates how farmers could better grow their crops, and thatās a question of harnessing science. He tries to understand how land could reach a condition where nothing would grow, and thatās a question of environmental justice.

New England farmers were mortgaging their farms to afford technologies they hoped would help them prosper as the railroad forced them to compete with farmers working more fertile lands to the west, in places like New York and Ohio. When they couldnāt make their payments, they lost their farms. āThis, to him, is tragic,ā says Walls. āAnd a lot of this comes home to him because these are his neighbors.ā
Although people donāt typically think of Thoreau as a man of his community, Borst was well known for his ability to connect with others. He cocreated a local fire department, directed the Auburn Chamber of Commerce, and was president of both a regional art and history museum and an art center.
Whatever he did, he ended up being chosen to lead the group, says his daughter Cynthia Sherwood ā83 (MA). āHe just thoroughly enjoyed people,ā she says.
![(bottom) āWalden, or, Life in the woods.ā New York : Editions for the Armed Services, [between 1944 and 1947]. The government published pocket-sized paperback books for the soldiers to carry with them during World War Two. Though thousands were distributed, copies are scarce today because most were worn out or thrown away. It is probable that this was the largest printing of Thoreauās book.(top) First day cover, U.S. postage stamp and envelope commemorating 150th anniversary of Thoreauās birth, July 12, 1817.Ā The item was hand canceled on July 12, 1967 in Concord, MA. (middle) āThoreau Moneyā produced by Committee for Nonviolent Action, c. 1960ās.Ā Distribution of Thoreau money was a hallmark during antiwar protests, serving as a concise way to explain the theory and practice of war tax resistance.Ā Two versions of āWar Tax Protestā Thoreau Money were issued, this is an example of the earliest, with the image of Thoreau probably derived from the 1856 daguerreotype by Henry David Maxham.Ā The note was designed by by Mark Morris, an artist associated with CNVA-West, and printed at Grindstone Press in New London, CT. // Materials from The Raymond R. Borst Collection of Henry David Thoreau in the University of Rochester's Department of Rare Books, Special Collections and Preservation are pictured June 12, 2017. // photo by J. Adam Fenster / °µĶų³Ō¹Ļ](/newscenter/wp-content/uploads/2025/11/thoreau6.jpg)
In 1977, Anne Borst died, and the always busy Ray found himself at a loss. And just at that time, the University of Pittsburgh asked him to create a descriptive bibliography for Thoreau.
The work became an exhaustive catalog of Thoreauās publications as physical objects, noting the paper on which they were printed, their ink and binding, and the circumstances of their publication. With his daughter, Borst traveled to libraries in Europe and at Harvard and to small institutions with Thoreau holdings. He did much of his writing at his cabin in the Adirondacks.
āHe needed a project, and this just dropped from the sky right into his lap,ā says Sherwood. The University of Pittsburgh Press publishedĀ Henry David Thoreau: A Descriptive BibliographyĀ in 1982. Almost all rare-book dealers refer to Borstās work when identifying a volume for sale. Andrea Reithmayr, Rochesterās special collections librarian for rare books and conservation, calls it an āincredible legacy.ā
A decade later, Borst publishedĀ The Thoreau Log: A Documentary Life of Henry David Thoreau, 1817ā1862Ā (G. K. Hall, 1992), a descriptionāculled from Thoreauās ownĀ Journal, newspaper articles, library lending records, correspondence, and other materialsāof Thoreauās activities for as many days of his life as could be accounted for. TheĀ LogĀ represents the very rare instance of an amateurās work becoming a touchstone for scholars. Walls says she began her biography of Thoreau by working with theĀ Log. āItās a treasure trove for researchers, no matter what youāre interested in,ā she says.
Different from critical scholarship, theĀ LogĀ is a compilation of coincidences and events in Thoreauās life, curated from a vast array of sources and set in chronological order. In it, Borst creates a tactile and local Thoreau, allowing readers to follow, in minute detail, the activities of his daily lifeāthe people he talked to, the places he went on his walks, the commentary he had on local agricultural practices.
Thoreauās writing has been studied and commented on by people as varied as Mahatma Gandhi and Hannah Arendt. But Borst gives readers Thoreau in Concord, with his feet on the ground. He tells them not just when Thoreau and his brother built the boat they rowed down the Concord and Merrimack (in the spring of 1839), but what they named it (the āMusketaquidā), how they celebrated the upcoming journey (with a āmelon spreeā party), and to whom Thoreau later sold the boat (novelist Nathaniel Hawthorne).
Naturalist Louis Agassiz once wrote to Thoreau, asking him to collect specimens for his museum. Thoreau did. Borst gave himself a similar taskāwith the same dedication and focus that he brought to creating his collection of Thoreauās works, he gathered little bits of information and created in theĀ LogĀ a museum of Thoreauās life.
āHe was the kind of person that, if he saw a job to do, he did it,ā says Sherwood.
“”³ŁĢżWaldenās conclusion, Thoreau writes of taking a hammer in hand: āDrive a nail home and clinch it so faithfully that you can wake up in the night and think of your work with satisfaction . . . Every nail driven should be as another rivet in the machine of the universe, you are carrying on the work.ā
Borst listened, and so he did.
This story appeared in the July/August 2017 issue of Rochester Review, the magazine of theĀ °µĶų³Ō¹Ļ.