Mexico vs. Croatia [World Cup of Literature: First Round]
This match was judged by Katrine Ăgaard Jensen. For more info on the World Cup of Literature, read this, and download the bracket.
Mexico vs. Croatia
A few years back, during a drunken Christmas party at a Danish newspaper, I asked a colleague how she developed her opinions as a movie critic. She did not have an academic background in film, and yet there she was, at a national paper, reviewing movies every week.
âPiece of cake!â she exclaimed, âI just think of the movie as a soccer match, making up the score as I watch it. When I leave the theatre, I ask myself: How was the game?â
I decided to adopt the movie criticâs honorable method in this piece for World Cup of Literature, Mexico vs. Croatia. Furthermore, I have subjected the two competing novels, Faces in the Crowd by Valeria Luiselli, and Baba Yaga Laid an Egg by Dubravka Ugresic, to reading in several diverse environments in exciting New York City, including a local coffee shop in Bushwick, a local bar in Bushwick, and my bed (also in Bushwick). I highly doubt that any reader will find this carefully thought-out method to be anything but utterly agreeable.
New York City Subway
It almost seems unfair; Faces in the Crowd actually depicts a NYC subway car on its cover. Its short, poetic prose, served to the reader as connected vignettes, is a match made in heaven for a ride on the L train, infested with hipsters either listening to “Heaven Knows Iâm Miserable Now” by The Smiths on their iPhones, or talking loudly to their twenty-something friends about failed Tinder dates. You donât need an attention span to read Faces in the Crowd. You could even consider displacing it on one of those orange plastic seats, to see if the book actually starts reading itself for you.
Baba Yaga, on the other hand, is an outright hassle to get through on the subway. The literary style is dense; itâs difficult to stay focused in the midst of the ITâS SHOWTIME boys breakdancing on the poles, the occasional evangelist, the Alicia Keys wannabe, and whoever else demands my attention in the subway car.
I really shouldnât be allowed to read good literature. They should give literary licenses to responsible adults only.
GOAL TO MEXICO
(Mexico 1 â Croatia 0)
Local Bushwick Coffee Shop
Three mornings a week, I buy a breakfast bagel and a coffee from a Colombian sunbeam of a woman. She greets me with the words, âmorning sweetie, what can I get for you,â forever in the midst of entertaining the rest of the coffee shop with tales from her home country. The day I bring in my World Cup of Literature titles to read, she speaks fondly of her single-parent upbringing while taking my order.
âMy mother used to beat me with a belt. Taught me not to make the same mistake twice, oh no,â she says, and laughs. I laugh too.
âI bet your mother never beat you,â she says to me, and I tell her she is right. Then we laugh again.
This morning I find myself in awe of Baba Yaga. Ugresicâs nightmarishly truthful depiction of a mother-daughter relationship through the first eighty pages of the book puts words to situations that Iâve become only too familiar with, ever since my motherâs illness transformed her into a Baba Yaga when I was twenty. Ugresic is clearly a literary master unworthy of my judgment, and oops, whatâs that piece of information I overlooked on the cover? âNominated for the Man Booker International Prize.â
GOAL TO CROATIA.
(Mexico 1 â Croatia 1)
Riverside Park
The sun is burning my Scandinavian scalp, while my blond mane is drenching the forehead and neck in sweat. I buy 3-dollar water from a cart in the park and curse the smirking salesman for just about three minutes in my head, a minute per dollar, I guess. Itâs gross out, and I donât feel like dealing with the heaviness of Baba Yagaâs 327 pages. I find a bench in the shade, try to read a few pages, but must admit defeat. Once again, I pull out Faces in the Crowd. Itâs easy to get back into, itâs the guilty pleasure of having sex with your ex—itâs effortless:
Milk, diaper, vomiting and regurgitation, cough, snot, and abundant dribble. The cycles now are short, repetitive, and imperative. Itâs impossible to try to write. The baby looks at me from her high chair: sometimes with resentment, sometimes with admiration. Maybe with love, if we are indeed able to love at that age. She produces sounds that will have a hard time adapting themselves to Spanish, when she learns to speak it. Closed vowels, guttural opinions. She speaks a bit like the characters in a Lars von Trier movie.
Admittedly, I have a soft spot for Lars, so Luiselli naturally scores with me right there, on a sweaty bench in Riverside Park. I think of an old boyfriend who took me to see Antichrist in the movie theatre. He was really into soccer.
GOAL TO MEXICO
(Mexico 2 â Croatia 1)
In Bed In Bushwick
âIs that about Baba Yaga?â my new friend asks, as we lie down to read on my bed, belly first.
âYeah, kind of,â I say. We look like book seals, although thatâs not a thing.
âSheâs that witch who eats children, right! Is that book going to win?â
âI donât know, itâs kind of a masterpiece, but itâs also kind of hard to get through. I think I like this one better,â I say, and tap the cover of Faces in the Crowd.
âWell, I think this one should win!â he says, and pushes Baba Yaga closer to me. The Yeah Yeah Yeahs are playing on Spotify as I begin reading. I was going to put on The Smiths, but decided we were not quite there yet.
I discover that the second section of the book is much sillier than the first; the humor is kind of adorable. I especially enjoy the scene where an elderly woman, Beba, is getting a massage from the young Mevlo:
Beba didnât know what to say. As far as she could judge, the young man was fine in every way. More than fine.
âThis thing of mine stands up like a flagpole, but whatâs the use, love, when Iâm cold as an icicle? Itâs as much use to me as a crippleâs withered leg. You can do what you like with it, tap it as much as you like, it just echoes as though it was hollow.â
âHang on, what are you talking about?â
âMy willy, love, you must have noticed.â
âNo,â lied Beba.
I tell my new friend that Baba Yaga is pretty great. I also tell him that he has a huge cock.
We met on Tinder.
GOAL TO CROATIA
(Mexico 2 â Croatia 2)
Local Bushwick Bar
Iâm ordering a completely legitimate Tuesday counter-drink, hair of the dog. A counter-Bacardi rum and coke; it has to be exactly the same as the night before, or it wonât help. At this point, there is no point in denying the obvious, I tell the bartender, as Brazil fails to shine against Mexico on the TV behind him.
I donât feel like reading Baba Yaga right now. I feel like reading Faces in the Crowd. There, I said it.
GOAL TO MEXICO
(Mexico 3 â Croatia 2)
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Katrine Ăgaard Jensen is an Editor-at-Large for Asymptote, and the Editor-in-Chief for Columbia: A Journal of Literature and Art. She is currently pursuing an MFA in Creative Writing at Columbia University, majoring in Fiction and Literary Translation.
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